Amanda Seyfried Shares ‘Graphic’ Film Element Involving A ‘Prosthetic Butthole’

Amanda Seyfried is opening up about one of many extra surprising behind-the-scenes particulars from her current movie, and it’s undoubtedly turning heads. Throughout a current radio look, the Oscar-nominated actress shared that she wore a prosthetic physique piece whereas filming “The Testomony of Ann Lee,” explaining that the historic drama required an unusually uncooked and weak degree of realism. Her candid feedback supplied followers a glimpse into simply how far Amanda Seyfried was keen to go to completely decide to the position.

Whereas showing on “The Scott Mills Breakfast Present,” Seyfried defined that the character of the movie known as for scenes that pushed her consolation zone. “This film … wanted to be graphic,” she stated, describing how the manufacturing approached authenticity. The actress, who portrays real-life Shakers founder Ann Lee, added that though audiences may assume she was fully uncovered throughout filming, that wasn’t truly the case.

Seyfried additionally revealed she was pregnant throughout filming, which added one other layer to the expertise. “I used to be pregnant and bare, however I wasn’t bare in any respect. And on the finish of the film, I’m standing in entrance of a burning constructing with only a merkin,” she recalled. Regardless of the vulnerability of the second, the “Mamma Mia!” star stated the scene left her feeling empowered slightly than uncomfortable, explaining that she “felt so free” whereas carrying solely the unreal hair masking throughout the dramatic sequence.

Towards the top of the interview, Seyfried clarified the shocking element that has since gone viral. “You can’t see my butthole in [the scene], however I swear there’s a prosthetic butthole there,” she pressured.

When host Scott Mills questioned why the manufacturing would come with it if it wasn’t seen, Seyfried defined it was merely a precaution. The change ended on a humorous word, with Mills calling the revelation a “nice solution to finish an interview,” prompting Seyfried to chortle and reply, “Gotta get individuals to the theater!”

The actress has beforehand spoken about how intimidating the venture felt. In a previous interview, she described the movie as “f-cking daunting,” explaining her motivation for selecting difficult roles. “I really feel like I’ve to maintain selecting issues that terrify me, inside purpose,” she famous. “I’m not gonna leap off a cliff or leap out of an airplane.”

Nonetheless, Seyfried emphasised that creative progress comes from concern. “I must sink my enamel into one thing that’s actually scary as a result of I do know I can do it, and I do know I’ll be higher for it,” she stated, and her efficiency clearly resonated with audiences. The movie reportedly obtained a 15-minute standing ovation when it premiered on the Venice Movie Pageant in September 2025, and Seyfried later earned each Oscar and Golden Globe nominations for the position.

Whereas awaiting the 2026 Academy Awards, she mirrored on the concept of profitable, telling The New Yorker, “I’ve gotten this far. … Would [an Oscar] be nice? After all it will, for each purpose. Nevertheless it isn’t crucial.”

Exterior of the historic drama, Seyfried can be producing buzz for her current thriller “The Housemaid,” the place she stars reverse Sydney Sweeney. Primarily based on the bestselling novel, the movie follows Sweeney’s character Millie, a newly employed live-in maid who discovers that her rich employers, performed by Seyfried and Brandon Sklenar, are removed from good.

The actresses revealed they shaped a detailed bond whereas filming. “We associated over individuals experiences,” Seyfried stated, who defined she got here to “care about” her 28-year-old co-star throughout manufacturing. “It is easy to help you. I additionally most likely give method an excessive amount of unsolicited recommendation, ‘That is what I’d do,’ ” she added.

Sweeney responded warmly, saying, “No, however I respect it,” to which Seyfried joked, “I knew she appreciated it, however I used to be additionally like, ‘Take it with a grain of salt!'”