Author and director Amy Wang’s upcoming physique horror dramedy “Slanted” is nearly assured to generate controversy. Shirley Chen stars as Joan Huang, a Chinese language-American teenager who decides to endure a radical process to look white, turning her into the blond-haired, blue-eyed Jo Hunt (Mckenna Grace). Whereas there have been horror movies about individuals being turned white or sucked into appropriative tradition towards their will, Jordan Peele’s “Get Out” and even Ryan Coogler’s “Sinners” amongst them, an adolescent of colour actively selecting whiteness and assimilation is an fascinating (and, clearly, doubtlessly upsetting) idea.
Fortunately, Wang has a good observe report in terms of mixing comedy with different style parts to inform tales involving Asian-American characters, having served as a author and story editor on Netflix’s principally well-received however short-lived action-comedy collection “The Brothers Solar.” (The truth is, she was even tapped to write down the “Loopy Wealthy Asians” sequel at one level throughout that currently-unmade movie’s growth.) Certainly, the trailer makes “Slanted” look equal components humorous and horrifying, with creepy white individuals promising happiness when you simply be a part of them and a few hints of great physique horror. It seems like a variety of enjoyable, however the film’s early opinions are, unsurprisingly, a combined bag.
Slanted is a stunning satire that is not for everybody
The early opinions that’ve emerged for “Slanted” since its premiere on the 2025 South by Southwest Movie & TV Pageant (SXSW) are fairly divergent, and although the movie is sitting at an 86% on Rotten Tomatoes as of publication time, the “rotten” opinions are extraordinarily crucial whereas a few of the “recent” opinions are wildly celebratory. Hoai-Tran Bui of Inverse wrote that “Slanted” is “a robust concept undercut by clumsy and heavy-handed execution,” lamenting that the movie is “not at all the Asian reply to ‘Get Out,'” whereas Zachary Lee of RogerEbert.com argued that what “Slanted” could lack in subtlety, it makes up for in sheer feeling, writing that it is “cathartic to see rage so singular and justified on-screen.”
“Slanted” seems prefer it’s mixing tropes from highschool comedies with gross-out and gooey horror satire within the vein of “The Substance” and “Starry Eyes.” Whether or not or not that resonates with audiences has but to be seen, however of us can take a look at “Slanted” for themselves when it hits theaters within the U.S. on March 13, 2026.
